Frank Zappa and The Mothers of Invention-Weasels Ripped My Flesh (1970)

Divided between live and studio tracks, "Weasels Ripped My Flesh" is one of Frank Zappa's most accessible and least convoluted albums (within his characteristically extravagant and peculiar style). On this occasion, Zappa fully embraces jazz, even employing a large horn section and creating expansive instrumental passages. As is typical of the American musician, these passages feature a great deal of improvisation and abundant experimentation. In this new work (his eighth release), Zappa collaborates with his band, The Mothers of Invention, which included Lowell George, Don "Sugarcane" Harris, Roy Estrada, Jimmy Carl Black, Punk Gardner, Ray Collins, Don Preston, Art Tripa, Buzz Gardner, Motörhead Sherwood, and Ian Underwood. Among its grooves we can find everything from eccentric jazz rock "Didja Get Any Onya?", to typical blues "Directly From My Heart to You", passing through extravagant cuts like "Prelude to the Afternoon of a Sexually Aroused Gas Mask" or sound experiments like "Toads of the Short Forest" or "Weasles Ripped My Flesh", while others like "Get a Little" or "My Guitar Wants to Kill Your Mama", show its melodic and "accessible" side of conventional jazz rock.

Frank Zappa and The Mothers Of Invention-Burnt Weeny Sandwich (1970)

This is one of Frank Zappa's most accessible albums, or at least by Zappa's own standards. This release features elements of jazz, avant-garde, classical, doo-wop, and rock, in what could be described as a collage brimming with easily digestible instrumental sounds (always within Zappa's peculiar and original style). The expansive "The Little House I Used To Live In" is, however, the most hypnotic and captivating moment on the entire album, thanks to its continuous, disparate rhythms and melodies which, despite their enormous complexity, make it as alluring as it is suggestive. Another standout is the saxophone, piano, and guitar showcase of "Holiday In Berlin, Full Blown", while "Igor's Boogie, Phase One" is a tribute to one of Zappa's most acclaimed musicians, Igor Stravinsky. With "Theme From Burnt Weeny Sandwich", Zappa attempts to emphasize guitar-driven rock over a frenetic percussion, which contrasts sharply with "WPLJ" and "Valarie", two short, catchy pieces of pure doo-wop and rhythm and blues. Ultimately, with this album, Frank Zappa succeeded in creating a heterogeneous collection of songs that appeal to both purists of his usual style and those skeptical of his eccentric music.

Frank Zappa and The Mothers Of Invention-Freak Out! (1966)

In 1966, Frank Zappa and his Mothers of Invention launched their impressive career with a stunning double album that revolutionized the world of rock thanks to its unhinged style, brimming with psychedelic music, blues, doo-wop, avant-garde elements, and experimentation. Created as a concept album, it offered a satirical look at "hypocritical" American culture, viewed through an artistic lens steeped in rock. With this album, Frank Zappa became one of the greatest creators of modern music, imbuing his sarcastic style with originality and his distinctive, incisive lyrics aimed at all established norms. This resonated with the youth of the time, eager to hear critiques of the political, social, and economic system of the era. The album unfolds along hypnotic paths with songs that depict specific scenes through strange arrangements and lyrics that would become synonymous with Zappa. Comprising several of the American musician's classics such as "Hungry Freaks, Daddy", "Mother Love", "Any Way the Wind Blows", and "Trouble Every Day", as well as outlandish suites like "Help I'm a Rock" and aggressive collages like "The Return of the Son of Monster Magnet", this debut would eventually become an essential influence on hundreds of bands and styles and a fundamental work in the history of rock music.

Frank Zappa and The Mothers-Grand Wazoo (1972)

In December 1971 during a concert at the Rainbow Theater in London, a spectator jumps on stage and punches and pushes Frank Zappa with his back to the orchestra pit.

Zappa is immediately taken to the hospital with a fracture in his right leg and multiple blows to the ribs.

It remains inactive in a wheelchair for almost a year, in addition to the sequels being mainly a lower tone of voice.

During all that time Zappa is dedicated to composing what would later be The Grand Wazoo.

A very high level work with very jazz and rock patterns following the pattern started in Hot Rats but with a more jazzy orientation.

Frank Zappa and The Mothers-Over-Nite Sensation (1973)

Over-Nite Sensation would mean the first Frank Zappa album that would reach the charts, as it is also the work of the most accessible and most earthly great musician.

The album contains a series of songs mixed with their typical musical challenges and the lyrics are basically humorous and satire talking about sex, social criticism and other polemic themes.

As always Zappa surrounded himself with the best musicians, in this album a Jean Luc Ponty participated which gave the music a special imprint to the music of Zappa.

Frank Zappa and The Mothers of Invention-One Size Fits All (1975)

In 1975 Frank Zappa ended his career with the Mothers of Invention with the album One Size fits all, a job much more accessible to the general public than he had done until then.

An album where there is room for elements of rock, jazz fusion and progressive sounds, all fused with the characteristic acid humor of Zappa.

Songs like Inca Roads, Andy, Sofa or Florentine Pogen demonstrate the musical complexity together with the insane and mocking touch of its satirical lyrics.