Crosby Stills & Nash-Daylight Again (1982)

In 1982, David Crosby, Stephen Stills, and Graham Nash reunited to record their fourth album in thirteen years, a brilliant work that showcased the unique talent of these legendary American musicians. It was in the late sixties that Crosby was asked to leave The Byrds due to his bandmates' rejection of his countercultural songs, such as the controversial "Triad". Nash, for his part, was quite frustrated by the musical direction his band, the Hollies, was taking, straying from their initial hippie roots. Meanwhile, Stills, having completed his time with the folk-rock band Buffalo Springfield, decided to explore new musical horizons. The union of these three geniuses was considered the first supergroup in history, a feat that would be further solidified in 1970 with the addition of Canadian Neil Young, another of the great geniuses of the late 1960s hippie movement. "Daylight Again" was originally conceived as a Stills and Nash album, for which they enlisted the collaboration of a wide array of renowned artists, including Art Garfunkel, Timothy B. Schmit, and Jeff Porcaro, among some twenty celebrated musicians from the American West Coast. However, due to pressure from Atlantic Records, they ultimately included David Crosby, who joined the project near the end of the album's recording process. "Daylight Again" was originally conceived as a Stills and Nash album, for which they collaborated with a wide array of great artists, including Art Garfunkel, Timothy B. Schmit, and Jeff Porcaro, among some twenty celebrated musicians from the West Coast. While not reaching the heights or creativity of their first three albums, "Daylight Again" is a fine example of American folk and rock, boasting a rich and varied repertoire that includes the opening track, "Turn Your Back On Love", an addictive melodic rock song; the melancholic folk number "Wasted On The Way", the bright and harmonious "Southern Cross", the rock tracks "Into The Darkness" and "Too Much Love To Hide", the rhythmic "Since I Met You", the beautiful "Song For Susan", and the introspective acoustic title track, "Daylight Again". "Daylight Again" was certified platinum for selling over one million copies in the North American market and nearly 800,000 worldwide.

Crosby Stills Nash-CSN (1969)

This was one of the albums that raised the most expectations when it was published in 1969, and that is that David Crosby, Stephen Stills and Graham Nash had abandoned their respective already established and enormously popular bands to join forces under the name of CSN.
These three bands were The Byrds, Buffalo Springfield and The Hollies, a fact that had never happened before, causing stupor on the one hand and surprise on the other.
Each of those bands lived at the end of the sixties moments of splendor, on the one hand The Byrds had released the album "The Notorious Byrd Brothers" that although it had not surpassed magnificent works like its first three works, it was a remarkable work of folk rock, on the other hand the Buffalo Springfield's had released the wonderful "Buffalo Springfield Again" and their final work "Last Time Around" and finally The Hollies came from publishing their work "Butterfly" a minor album that nevertheless kept them in the top of the hit lists.
They were one of the first super bands in history, alongside the British Cream, giving rise to a brief fad of the late sixties introducing the concept of rock musicians as free agents to form supergroups.
His first album named after the band, is a compendium of melodies and vocal harmonies, which together with the guitar play and the chord sequences of the songs served to get the general public into the field of acoustics and folk rock.
Country rock and folk rock from Crosby and Stills were the perfect counterpoint to Nash's British pop-rock style.
The unspeakable tune of Nash's travels on "Marrakesh Express", and Stills tribute to Judy Collins on "Suite Blue Eyes" catapulted them to the top of the charts, in part also because of her hippie thoughts and counterculture.
The album would reach millionaire sales and a Grammy for the best album in 1970.