Isaac Hayes-Hot Buttered Soul (1969)

"Hot Buttered Soul" was the album that forged the legend of Isaac Hayes, a powerful timeless progressive soul work that reflects the inexhaustible talent of this genius.
To his delicious base of calm soul, he added orchestral arrangements, guitars full of psychedelic fuzz and sounds of Hammond, all together with Hayes' deep voice of sexual depth.
An overwhelming work that demonstrates the great personality in themes such as the exalted and initial "Walk On By" or his particular sodomized version of the country theme that Johnny Rivers popularized;" By The Time I Get To Phoenix".
This work would be completed with another of his great achievements such as the enormous "Black Moses" published some time later.

Isaac Hayes-Shaft (1971)

As a composer, producer, arranger, singer, and keyboardist, Isaac Hayes was the primary architect of the signature sound of Memphis-based Stax Records. However, few foresaw his rise to global stardom, which began in 1969 with his album "Hot Buttered Soul". In this work, Hayes combined jazz with hypnotic sounds and extended passages, blending funk, soul, and psychedelia, all underpinned by dark, fuzzy guitars and his deep, sharp voice. Following this album came two more works in a similar vein, featuring expansive tracks, meticulous arrangements, and intricate orchestrations. In 1971, Isaac Hayes released two double albums: the soundtrack to the film "Shaft" and "Black Moses". With his first album, Isaac Hayes achieved his most successful work, earning an Oscar for Best Original Score and a Grammy Award, catapulting him to global stardom, thanks in part to the album's title track. On "Shaft", Hayes masterfully combined exuberant and powerful funk with smooth and delicate instrumental pieces, all infused with laconic and subtle jazz influences. Hayes's infallible melodic sense shone through in evocative and atmospheric tracks like "Bimpy's Lament", the smooth and vibrant "Elliés Love Theme", the upbeat "Cafe Regios", which evoked the sound of West Montgomery, the bold and powerful "No Namen Bar", and the Burt Bacharach-esque "Early Sunday Morning", all featuring sophisticated string and wind arrangements that complemented Hayes's melodic contours and the style demanded by Hollywood. Months later Hayes would reach his creative peak, releasing another colossal work, "Black Moses", where he would base his sound on the style of "Hot Buttered Soul", but adding more eclectic fusions and thus expanding his enormous musical canvas.