Showing posts with label Paul Rodgers. Show all posts
Showing posts with label Paul Rodgers. Show all posts

Saturday, January 31, 2015

Paul Rodgers-The Royal Sessions (2014)

In 2014, Paul Rodgers returned with a covers album after his blues tribute albums, the tremendous "Muddy Water Blues" and "The Hendrix Set", both released in 1993. This time, however, in addition to some blues tracks, there are also versions of soul classics, all personally selected by Rodgers himself. For this recording, the former vocalist of Free, Bad Company, and The Firm surrounded himself with a legion of musicians who had originally recorded the versions featured here, such as bassist Leroy Hodges, keyboardist Charles Hodges, and drummer Steve Potts, among many others. Recorded live at Royal Studios in Memphis, Rodgers achieves a powerful and fiery sound, which elevates this phenomenal covers album. Songs like Booker T. Jones' "Born Under A Bad Sign", Albert King's "Down Don't Bother Me", Ann Pebbles' "I Can't Stand The Rain" or Otis Redding's "I've Been Loving You Too Long" are performed by the excellent voice of a Paul Rodgers in his prime, demonstrating that the years have not taken their toll on one of the great legends of rock music.

Wednesday, June 4, 2014

Paul Rodgers-Now (1997)

Paul Rodgers' third solo album, "Now", comes from one of rock's greatest vocalists, who fronted legendary groups like Free and Bad Company and co-wrote the songwriting credits with Jimmy Page for the supergroup The Firm. Released in 1997, it followed Rodgers' tribute albums to Muddy Waters and Jimi Hendrix, "Muddy Waters Blues" and "The Hendrix Set", both released in 1993. After a period of extensive world tours, Rodgers had written enough material and assembled a solid band to record a new album, ironically titled "Now". The band consisted of guitarist Geoff Whitehorn, drummer Jim Copley, and bassist Jaz Lochrie. The first thing that strikes you about Paul Rodgers' third album is his excellent form. Vocally rejuvenated, he showcases his distinctive voice as it was in his golden era. Tracks like the powerful opening "Soul of Love" already demonstrate Eddie Kramer's superb production and the band's perfect cohesion. The rest of the album includes the bluesy "Overloaded", the vintage "Heart of Fire" (a nod to his past with Bad Company), the catchy "Saving Grace", the soulful blues "Love Is All I Need", and the sublime blues "I Lost It All". Together, they form an elegant album, expertly crafted with great feeling for the vocal excellence and superb instrumental performances, confirming the immense talent of one of the greatest voices in rock history.