Jade Warrior-Last Autumn's Dream (1972)

Jade Warrior is a progressive rock legend, a cult band that far from making a progressive commercial, has strived to offer complex, original music, full of experimentation and its own concept, generally influenced by cultures steeped in an ancient tradition.
The ideas, the concept by which this group is born music is not always very well appreciated. This is probably due to the fact that the compositions haunt musical elements that move away from a naturally progressive structure, however intelligent in its natural concept. For this reason "Last Autumn's Dream", with all its recognition of oriental aesthetics, became one of the indispensable albums of progressive rock.
"Last Autumn's Dream" is an album that includes a lot of concept, a lot of experimentation, a touch of fusion, sounds inspired by the Japanese tradition, folk, jazz, progressive rock as it should be: growing, offering, experimenting, creating first-line music that Any listener and fan of progressive rock greatly appreciates it.

Jade Warrior-Released (1971)

Jade Warrior is one of the quintessential cult bands, and is considered one of the most original musical acts in the history of rock music. They imbued their style with a masterful blend of ethnic sounds, jazz, psychedelia, folk, rock, and avant-garde elements. A previous post recounts the biography of this unique band, so we won't delve too deeply into their history and will instead focus on their second album, released in 1971. This album represented a dramatic shift from their self-titled debut, released that same year. In that first release, the sound was centered on elements of jazz-rock fused with African music, resulting in an experimental and avant-garde album. However, this second work is characterized by powerful and driving tracks, very close to hard rock, such as the opening track, "Three-Horned Dragon Kill", with a sound reminiscent of Led Zeppelin, but retaining the distinctive African percussion so characteristic of Jade Warrior. The playful “Eyes On You”, with its infectious rhythm, gives way to the band's more typical sound with the relaxed and atmospheric “Bride Of Summer” and “Water Curtain Cave”, which lead into the lysergic and powerful “Minnamoto’s Dream”, featuring razor-sharp guitars in the purest Jimi Hendrix style. Meanwhile, the rock and roll “(We Have) Reason To Believe” contrasts with the epic “Barazinbar”, which gradually unfolds amidst tribal percussion and flute sounds, culminating in the bucolic and acoustic “Yellow Eyes”. This album received a lukewarm reception from fans, surprised by this radical change, which is why the band would return to their unmistakable style in subsequent releases, much to the delight of their most loyal and devoted progressive rock followers.

Jade Warrior-Jade Warrior (1971)

Jade Warrior was a band that differed stylistically from everything else in the early 1970s. Their style, a clever combination of blues and folk, pastoral sounds, ambient music, and world music, quickly made them one of the cult bands of British progressive rock. Although they evolved with each album, they never lost their original identity, preserving their ambient passages with rock elements. In their debut release, Jade Warrior subtly approached British folk, through the use of flute, and Latin rock, through their percussion driven by bongos and other percussion instruments. Tracks like "Masai Morning" showcase that characteristic Eastern facet of Jade Warrior, with a rich combination of flutes, bongos, Eastern elements, and a bluesy guitar. Other tracks such as the dark ballad "Windweaver", the fierce "A Prenormal Day At Brighton", the minimalist bluesy "Petunia" and "Telephone Girl", together with the semi-progressive ambient tracks with large doses of ethnic creativity "Dragonfly: Metamorphosis/Dance Of The Sun Spirit/Death" and "Sundial Song", are one of the original proposals of this legendary British pseudo-progressive band.