Laurie Anderson-Mister Heartbreak (1984)

Despite having been part of New York City's most avant-garde art scene since the early 1970s, it took Laurie Anderson many years to release her first solo album, "Big Science" (1982), a work that was remarkably well-received by the public and garnered favorable reviews from the specialized press. Her eclectic style could be categorized as cutting-edge and experimental pop, something that has kept her a cult artist to this day. Some time after that groundbreaking debut, Laurie Anderson began collaborating with prestigious musicians such as Peter Gabriel, Nile Rodgers, Adrian Below, Phoebe Snow, and Bill Laswell, all of whom would eventually contribute to her next release, "Mr. Heartbreak", released two years later. Although much more accessible than its predecessor, Anderson continues to use her music to tell stories in a literal sense, fusing ethnic influences, electronica, and the most unusual experimentation. Strange canvases very close to minimalism "Sharkey's Day", poetic hypnotism "Langue D'Amour", approaches to electronic new wave "Gravity's Angel" or "Excellent Birds" or exotic pieces that navigate between the ethnic and the electronic "Kokoku", make up an album as challenging as it is luminous.

Oscar Peterson-Great Connection (1974)

In 1971, Oscar Peterson began a fruitful and long-lasting partnership with American drummer Louis Hayes and Danish bassist Niels-Henning Ørsted Pedersen, starting with an exquisite and varied album of jazz standards. Produced by Hans Georg Brunner, this work, released three years later (1974), saw the trio create a series of highly inspired compositions, such as the free jazz track "Younger Than Springtime", the relaxed "Soft Winds", the complex "Wheatland", the overwhelming version of Duke Ellington's "Just Squeeze Me", and the uplifting Charles Chapin piece "Smile". In the following years, Peterson and Pedersen played together regularly in countless concerts and collaborated on a dozen official recordings, including "The Good Life" (1973), "The Trio" (1974), "Nigerian Marketplace" (1981), and "Night Child" (1982).

Mirthrandir-For You The Old Man (1976)

Mirthrandir is another of the countless bands lost in the dark tunnel of time, having released only one elaborate and elegant progressive rock album. Formed in 1973 in New Jersey, its members were Richard Excellente (guitar), Simon Gannett (keyboards), James Miller (bass and flute), Alexander Romanelli (guitar), Robert Arce (drums), and John Vislocky (vocals and trumpet). Their sole recording, "For You The Old Man" (1976), showcases the band's excellence with a series of highly meritorious tracks such as the fiery, jazz-influenced "For You The Old Women", the exuberant "Conversation With Personality Giver", the melodic instrumental "Number Six", and the progressive tour de force "For Four", all featuring remarkable guitar work, driving Mellotron and organ keyboards, and a memorable instrumental dynamism. Without a doubt, "For You The Old Man" is a creative album of the best American progressive rock, performed with great skill and with excellent musicality.

Cream-Disreali Gears (1967)

Cream's second album cemented their status as an iconic band, delivering a record brimming with powerful rock infused with psychedelic and blues-rock influences. Unlike their groundbreaking debut released a year earlier, the band, comprised of Eric Clapton, Jack Bruce, and Ginger Baker, moved away from the nascent sounds of blues rock, embracing more accessible sounds, as demonstrated by the well-known "Sunshine of Your Love", a true rock classic immortalized in countless commercials, TV series, and films, and a staple on rock compilations. This fusion of rock and psychedelic sounds is present in the opening track, "Strange Brew", a dense cut with raw, distorted guitars. Meanwhile, the more subdued "World of Pain" continues to delve into psychedelic sounds while showcasing the band's melodic side. "Dance the Night Away" follows a similar path, while the bluesy "Blue Condition" provides a relaxed moment on this sublime first side. On side two of the original album, the rhythm increases with the acidic "Tales Of Brave Ulysses", the rhythmic "SWLABR", or the blues rock "Take It Back" and "Outside Woman Blues", with which one of the essential albums in the history of rock concludes.

Culpeper´s Orchard-Culpeper´s Orchard (1970)

Taking their name from a famous 15th-century English botanist who championed the use of medicinal herbs to combat disease, the Danish band Culpeper's Orchard was formed. Their journey began in the early 1970s, founded by British guitarist and singer Cy Nicklin, along with Nils Henriksen (guitars, keyboards, and vocals), Michael Friis (bass, organ, and flute), and Rodgers Barker (drums). After signing with Polydor Records, they released their self-titled debut album in mid-1970, crafting an intriguing blend of hard rock, folk rock, and avant-garde and psychedelic elements. The album features electric guitars with energetic hard rock riffs fused with American folk rock. This debut album features a range of standout tracks, from the acoustic sounds and rich vocal harmonies of "Hey You People" to powerful compositions like "Mountain Music Part 1 and 2", the bluesy melodies of "Gideon's Trap", and the acid-tinged, psychedelic sounds of "Tea Party For an Orchard". While the band would later release three interesting albums of diverse musical styles, this debut remains a prime example of one of the forgotten gems of European proto-progressive rock.

Steely Dan-Can´t Buy A Thrill (1972)

In 1971, ABC Records musicians and songwriters Walter Becker (guitar and vocals) and Donald Fagen (keyboards and vocals) decided to form their own band, encouraged by producer and ABC Records executive Gary Katz. Thus, Steely Dan was born, comprised of its two leaders, Jeff "Skunk" Baxter (guitars), Jim Holder (drums), and Dennis Dias (guitar and sitar). A year later, they released their debut album, "Can't Buy a Thrill", which also featured guest appearances from singer David Palmer, guitarist Elliott Randall, saxophonist Jerome Richardson, and percussionist Victor Feldman. This first recording is characterized by the group's complex musical tapestry, blending diverse styles such as jazz, rhythm and blues, pop, and rock with satirical and biting lyrics. With meticulous production, the duo crafted a series of brilliantly executed songs, featuring warm sounds and lyrics infused with a sarcastic and unsettling sense of humor. The album opens with the iconic "Do It Again", a true American rock classic, a masterful composition brimming with sonic details. It is followed by other magnificent tracks such as the memorable "Dirty Work", "Reelin' in the Years", "Fire in the Hole", "Midnight Cruiser" and "Change of the Guard". This spectacular debut marked the beginning of one of the most exciting careers in the history of rock music.

INXS-Kick (1987)

Until the release of their sixth album, the Australian band INXS, despite not always receiving critical acclaim, had a large and devoted fanbase that propelled them to stardom in the late 1980s. The core lineup consisted of brothers Andrew, Jon, and Tim Farriss keyboardist, drummer, and guitarist, respectively who, along with Kirk Pengilly (guitar), Garry Gray Beers (bass), and Michael Hutchence (vocals), had formed INXS in the late 1970s. In their early days, the band played a new wave style with pop-rock influences, which evolved over time towards arena rock. With their fifth album, "Listen Like Thieves" (1985), they achieved mainstream and commercial recognition thanks to tracks like "What You Need", but it was with their next album, "Kick", that they cemented their global success. This was due to their mature songwriting, showcasing a blend of hard-hitting rock with hints of commercial pop and new wave. After impeccable production, clear musical intentions, and powerful, expertly executed songs, the Australian group delivered a work that would soon achieve massive commercial success, selling over 25 million copies worldwide. Songs like the catchy "New Sensation", the brilliant "Never Tear Us Apart", the Stones-esque "Devil Inside", the powerful rock anthem "Mystify", and the captivating "Need You Tonight" made INXS a band that resonated with mainstream audiences. Following this album came others of similar success such as "X" (1990), "Welcome To Wherever You Are" (1992), and "Full Moon, Dirty Hearts" (1993), all of which maintained a high standard. However, the suicide of their singer, Michael Hutchence, at the end of 1997, resulted in the group losing its identity and, at the same time, a decline in public fervor.

Mombasa-African Rhythms and Blues (1975)

Lou Blackburn was a renowned American musician who rose to fame in the 1950s and 60s performing alongside jazz legends such as Lionel Hampton, Lou Rawls, and Duke Ellington. He also established a successful solo career, releasing albums like "Jazz Frontier" and "The Complete Imperial Sessions". In the early 1970s, he moved to Europe and founded the Mombasa project, a group that fused African rhythms with jazz. In 1975, under the German independent label Spiegelei, he recorded the group's debut album, "African Rhythms and Blues", an extraordinary recording where exotic rhythms, rural and folk blues, spirituals, and jazz intertwine in a fascinating and enchanting fusion. Besides Lou Blackburn (trombone), the rest of Mombasa consisted of Donald Coleman (congas and flute), Charles Jefferson (trumpet), Gerald Luciano (double bass and African percussion), and Cephus McGirt (drums). Produced by German engineer Manfred Schmitz, the album contains an anthology of repertoire that makes it one of the finest recordings of ethnic jazz ever made.