Flower Travellin´Band-Make Up (1973)

"Make Up" was the fourth album by the Japanese band Flower Travellin' Band, a double LP recorded due to contractual obligations with Atlantic Records. However, by the time they entered the recording studio, the band, led by percussionist Akira Yamanaka, didn't have enough material to fill all four sides of the double record. As a result, some of the tracks included here are live recordings and other takes that had been discarded from their previous albums. This hodgepodge of material gives the album a certain incoherence, despite containing memorable moments of great psychedelic hard rock and space rock. It begins with the vigorous, driving exercises in heavy rock, propelled by Nobuyuki Shinohara's Hammond organ and Hideki Ishima's lysergic and visceral guitar. Along this path are tracks like "All The Days", "Make Up", and "Slowly But Surely", which contrast with the more subdued "Shadows Of Lost Days", "After the Concert", and "Broken Strings". But it's the epic live recording of "Hiroshima" that best showcases Flower Travellin' Band's crushing hard rock during twenty-five chaotic and visceral minutes, where there's even time for a powerful drum solo by percussionists Akira Yamanaka and Joji Wada.

Flower Travellin´Band-Anywhere (1970)

In 1970, the Japanese band Flower Travellin' Band released their first album, "Anywhere", although they had previously released the album "Challenge", a collaboration with Yuya Uchida, in 1969. For this debut, the band opted for a more forceful and raw sound, infused with the prevailing psychedelia of the time and featuring a great deal of improvisation. Their style was heavily influenced by the hard rock of British bands of the era, such as Cream, Deep Purple, and Black Sabbath. The entire album consists of a series of covers, including the Birmingham group's "Black Sabbath", an acoustic version of The Animals' "House of the Rising Sun", Muddy Waters' lysergic "Louisiana Blues", and a visceral version of King Crimson's "21st Century Schizoid Man". As with the cover of the aforementioned "Challenge", the group once again scandalized the puritanical Japanese society by appearing completely naked, this time on top of Harley Davidson motorcycles, something that transgressed the established norms in their country, making this cover an obscenity and a lack of respect for the vast majority of Japanese society, demonstrating with this fact that this radical group brazenly disregarded, without any ethics or shame, the established norms in Japanese culture.