Frank Zappa and The Mothers Of Invention-Burnt Weeny Sandwich (1970)

This is one of Frank Zappa's most accessible albums, or at least by Zappa's own standards. This release features elements of jazz, avant-garde, classical, doo-wop, and rock, in what could be described as a collage brimming with easily digestible instrumental sounds (always within Zappa's peculiar and original style). The expansive "The Little House I Used To Live In" is, however, the most hypnotic and captivating moment on the entire album, thanks to its continuous, disparate rhythms and melodies which, despite their enormous complexity, make it as alluring as it is suggestive. Another standout is the saxophone, piano, and guitar showcase of "Holiday In Berlin, Full Blown", while "Igor's Boogie, Phase One" is a tribute to one of Zappa's most acclaimed musicians, Igor Stravinsky. With "Theme From Burnt Weeny Sandwich", Zappa attempts to emphasize guitar-driven rock over a frenetic percussion, which contrasts sharply with "WPLJ" and "Valarie", two short, catchy pieces of pure doo-wop and rhythm and blues. Ultimately, with this album, Frank Zappa succeeded in creating a heterogeneous collection of songs that appeal to both purists of his usual style and those skeptical of his eccentric music.