In the 1990s, Vangelis finally abandoned the experimentation he had displayed in his work during the 1970s and 80s, years in which his symphonic avant-garde style permeated most of his compositions. At this point, the Greek musician based his style on ethereal music, built on more grandiose chords, with superb orchestral arrangements and lyrical choirs, which, far from being pretentious, are simply the result of his many years of continuous experimentation. With his twenty-seventh album, Vangelis takes a further step, giving the human voice a prominence never before seen. Navigating between melodic sounds and soothing new-age music, Vangelis presents a series of atmospheric and fluid pieces, with beautifully haunting lines and an omnipresent mysticism. This time, he enlists the collaboration of various voices, including Caroline Lavelle, Stina Nordenstam, the Athens Opera Chorus, and singer Paul Young. Pompous pieces like "Voices" contrast with the ethereal atmospheres of the Celtic "Come To Me", the beautiful melody of "Ask The Mountains", the evocative "Losing Sleep (Still My Heart)", the paradisiacal "Prelude", and the spacey "Dream In An Open Place".


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