The piano, the games of keyboards and the curtains of mellotrons are the great protagonists to form quite luminous and pastoral environments in the universe of this band particularly in this, one of its best, if not the best of its discs. The rumbling bass so classic at the time gives support for the Greenslade and Lawson games, and the latter's sweet voice when he occasionally sings, sometimes beautifully as in Sunkissed You're Not. Despite not being among the great superheroes of the progressive seventies, this album by Greenslade seems charming and worthy of being heard and recovered again and again, it is not tired at all and is very round and concise.
It is all very scenic and recurring to the less experimental and direct Yes to the point. Although there are no guitars, there is much more of Yes than of ELP. We even have a great drum job, with only included, in the dizzying times Drum Folk.
Another jewel of the 70s to digest with joy and above with one of those dreamlike covers of Roger Dean.
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