In 1974, John McLaughlin reformed the Mahavishnu Orchestra, bringing in keyboardist Gayle Moran, violinist Jean-Luc Ponty, bassist Ralphe Armstrong, and drummer Michael Walden, who replaced Jan Hammer, Jerry Goodman, Rick Laird, and Billy Cobham, respectively. With this new lineup, he recorded the band's third album, which also featured the London Symphony Orchestra, conducted by Michael Tilson Thomas, as well as session musicians Marsha Westbrook (viola), Carol Shive (violin and vocals), and Philip Hirschi (cello and vocals). The fiery rhythm section of Armstrong and Walden propelled Ponty's rich instrumental passages and the London Symphony's orchestral arrangements, all underscored by McLaughlin's dark and gritty guitar work, creating an album that, as its title suggests, is apocalyptic. All of this is reflected in the captivating "Power of Love", with its astonishing work by the French violinist, a dark guitar, and subtle orchestral passages. The terrifying "Vision Is A Naked Sword", the orchestral interlude of "Wings of Karma", and the heart-wrenching "Hymn to Him" combine to create another masterpiece of jazz-rock, demonstrating the immense creative capacity of the brilliant John McLaughlin.

