Cannonball Adderley was one of the greatest saxophonists in the history of jazz, a musician with a unique and innate ability to communicate his music to a wide audience and make it incredibly popular. With an established career behind him, in the mid-1950s he moved to New York from his native Florida, where he quickly became a sensation and ended up playing in Miles Davis's band. At the end of that decade, he released some of his masterpieces, such as "Somethin' Else" with Miles Davis, Hank Jones, and Art Blakey. During the 1960s, his soulful hard bop style shone through, and he recorded prestigious albums for the Riverside and Capitol labels, including "Know What I Mean" with Bill Evans and "Accent on Africa". With Capitol Records, his albums shifted towards more mainstream and commercial sounds, as demonstrated by his tremendous success "Mercy, Mercy, Mercy" in 1966. Towards the end of the sixties, the now-defunct Riverside label released the live album "Cannonball Adderley Sextet: Planet Earth", featuring notable collaborations with Joe Zawinul, Louis Hayes, Nat Adderley, Yusef Lateef, and Sam Jones. A technically impeccable album, it included a series of modern jazz compositions such as the soulful "Seventh Son", exotic performances like "Brother John", and intriguing hard bop like "Syn-Anthesia", all reflecting an avant-garde style with clear Eastern influences.


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