Almost at the end of the 70s, Queen publishes the Jazz album, the seventh in chronological study, here we are facing a tremendously diverse, colorful and agile album in the listening. Despite containing some somewhat squeaky extravagances such as the initial "Mustapha", the overall result of the album is satisfactory, and leaves a handful of compositions that are among the most applauded of Queen's repertoire. We talk about titles like "Fat Bottomed Girls" and its dense layer of guitars; of the bizarre "Bicycle Race", and of course the dynamic and refreshing "Don't Stop Me Now". This would be the last work of the band with producer Roy Thomas Baker, and from here the changes of course and a faltering journey through the 80s with jobs of unequal fortune would begin.
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