David Bowie's third album arrived almost a year after "The Man Who Sold the World", the work that cemented the British musician's status as a glam rock megastar and where he once again displayed that sexually ambiguous image. This time, Bowie delights us with a work brimming with folk, pop, rock nuances and hints of cabaret music, an album that became a clear landmark in the history of pop-rock. Composed of enormous compositions such as the elaborately arranged and prodigious “Life On Mars”, the sentimental “Andy Warhol”, the cheerful pop “Kooks”, the glam rock “Queen Bitch”, the innocent and playful “Fill Your Heart”, and the energetic “Changes”, all of them demonstrated the enormous creative capacity of a genius like Bowie, as chameleon-like as he was prodigious, with an extraordinary personality. His greatness lay in combining such a multitude of styles in an astonishing way without ever becoming musically incoherent. For this third release, Bowie enlisted his right-hand man Mick Ronson on guitar, Rick Wakeman on keyboards, Trevol Bolder on bass, and drummer Mick Woodmansey, and under the supervision of producer Ken Scott, they created one of the fundamental albums in the Thin White Duke's career and one of the 500 greatest albums of all time.

