Christopher Cross-Another Page (1983)

Three years after his acclaimed debut album, Christopher Cross left us with his second record, an album that was overshadowed by his impactful first work, despite containing enough musical merit to once again top the charts worldwide. However, in his second release, the style that blended irresistible ballads, soft rock, and clear mainstream pop influences was criticized for its lack of stylistic evolution. As with his debut album, on this new record, the guitarist from San Antonio, Texas, surrounded himself with a stellar lineup of musicians, including Mike Porcaro, Don Henley, JD Souther, Art Garfunkel, Steve Lukather, Tom Scott, Carl Wilson, Abraham Laboriel, and Jay Griden, among many others. Recorded throughout much of 1982, on "Another Page" Cross repeats the same formula that had propelled him to global stardom with a series of understated, impeccably executed compositions that navigate between romantic and nostalgic ballads; "Baby Says No", "Nature of the Game", "What Am I Supposed to Believe", "Talking in My Sleep", "Words of Wisdom", and "Think of Laura" are nods to the recent past with appealing melodies, such as the fast-paced and catchy "All Right," or the stimulating West Coast sounds of "No Time for Talk" and "Deal 'Em Again". While not reaching the commercial or creative heights of its predecessor, the album achieved a commendable eleventh place on the Billboard charts and earned half a dozen gold records worldwide for its sales.

Santana-Zebop (1981)

Featuring almost the same lineup as their previous album, "Marathon", Carlos Santana continued his journey through the musical wilderness of the 1980s, releasing the band's eleventh album, "Zebop". Following the AOR path of "Marathon", in this new release the Mexican guitarist delves even deeper into the sounds that flooded radio stations at the time. Bands like Boston, Styx, Toto, Journey, REO Speedwagon, and Foreigner dominated the charts worldwide with their high-quality melodic rock. In that context, Santana offered an engaging album where, as usual, their enormous skill with the six-string guitar shone through, along with highly meritorious AOR compositions such as the addictive "Changes", "Searchin' ", "Winning", "Over and Over", and "I Love You Much Too Much", while their vintage style is present in "Primera Invasion", "Tales of Kilimanjaro", "American Gypsy", "É Papa Ré", "Sensitive Kind", "Brightest Star", and "Hannibal". "Zepob" is one of Santana's works where they best managed to combine the modern sounds of melodic rock with the jazz-rock of their albums from the previous decade.

Iron Butterfly-Heavy (1968)

Iron Butterfly is a true legend of 1960s psychedelic rock; however, their career is overshadowed by the worldwide hit "In-A-Gadda-Da-Vida", an album and single that have sold a staggering 30 million copies worldwide to date. Such a feat would overshadow any other album in their discography, something that has unfairly happened to this iconic band. Part of the West Coast psychedelic movement, they released their debut album, "Heavy" in 1968. While they are considered early pioneers of avant-garde rock and heavy metal, it's also true that at that time the term "heavy" was used for any style of heavy and dark music, not the fast-paced, frenetic, and strident style of today. On this debut album, the quintet comprised of Darryl DeLoach (vocals and percussion), Danny Weis (guitar), Doug Ingle (organ), Jerry Penrod (bass), and Ron Bushy (drums) showcases a series of psychedelic-tinged songs with hints of garage, soul, and rhythm and blues. Standout tracks include the melancholic "You Can't Win", the hypnotic "Look For The Sun", the upbeat "Gentle As It May Seem", the catchy "Possession", and the acid-tinged instrumental "Iron Butterfly Theme". Ultimately, this was an intriguing debut brimming with creative and promising ideas that would be brilliantly developed on their subsequent albums.

Christie-Christie (1970)

Christie was a British pop-rock band formed in Leeds in the late 1960s by Jeff Christie, Vic Elmes, and Mike Blakely. Jeff Christie, who had already played in professional bands, became the band's frontman. He had previously led a band called Outer Limits, which had some hits such as "Just One More Chance" and "Help Me Please" (1967), even achieving huge success in the United States. However, subsequent songs were a resounding failure, leading to the band's breakup. Jeff then decided to continue as a songwriter. In 1970, Christie composed a song called "Yellow River", which he initially intended for The Tremeloes, but they rejected it because they felt it was too different from their usual pop style. With this situation in mind, Christie himself formed a band to record the song, naming it after himself. They released the track in April 1970, and it reached number one in much of the world and an astonishing sixth place on the American charts, selling over three million copies. Shortly after, that same year, they released "San Bernardino", which was also a hit, followed by "Iron Horse", one of the group's best compositions. While recording the songs for their third album, relations between Jeff and Vic Elmes deteriorated, and the group temporarily disbanded in 1973. Jeff was considering a solo career, but decided to forge a new Christie lineup with Roger and Terry Fogg and guitarist Danny Krieger. From then on, they began to live off their past successes, as subsequent albums went largely unnoticed.

Cathedral-Stained Glass Stories (1978)

"Stained Glass Stories" is considered one of the landmark works of American avant-garde rock, an album created by Cathedral (not to be confused with other bands of the same name that have emerged throughout history). Hailing from Long Island, Cathedral was formed in the mid-70s from the ashes of the psychedelic band Odyssey, which included Fed Callan (bass) and Tom Doncourt (keyboards). Along with drummer Mercury Caronia, singer Paul Seal, and guitarist Rudy Perrone, they completed the lineup of Cathedral. Recorded on the independent label Syn Phonic, in 1978 they released "Stained Glass Stories", showcasing a style far removed from their psychedelic past, delving into intense sounds of excellent progressive musicianship clearly influenced by early 1970s British symphonic rock. Intricate guitar and bass riffs, a spectacular Mellotron, and masterful drumming drive this brilliant album, as demonstrated by the excellent tracks "Introspect", "Gong", "The Search", "The Crossing", and "Days and Changes". Despite being recorded in the later years of the progressive rock genre, "Stained Glass Stories" has achieved cult status and is considered essential for understanding the rich evolution of late 1970s American symphonic-progressive rock. Although the album enjoyed considerable commercial success, Cathedral would later disband until many years later, when they reappeared with their second album, "The Bridge" (2007).