"Counterparts" was released in October 1993 and produced by the band's own musicians. It corresponds to the last active stage of the band before its first and only separation. Lyrically the album follows the line of the band but musically, "Counterparts" is an unconventional Rush album, so much so that you can hear similarities and nuances of hard rock that make it very attractive; although many of the previously used additional elements, varied percussion and synthesizers are still appreciated.
With a much more basic, simpler, more raw sound, almost all songs have a guitar background and synthesizers and keyboards practically disappear. A more basic scheme for guitar, bass and drums. This is clear from the first three songs on the album, "Animate me", "Stick it out" and "Cut to the chase".
Likewise, the lyrics on this album become more generic and abstract. But precisely "Nobody's hero" is an exception both in this aspect, even the lyrics sparked some controversy due to its references to homosexuality and AIDS, as well as in the musical aspect, introducing more arrangements and the acoustic guitar.
It continues with two of the most interesting songs on the album such as "Between sun & moon" and "Alien shore". Following the line opened on the previous album, they insist on that new way which are love songs with "The speed of love" and "Cold fire", although always looking for an approach towards the style of the band and far removed from the typical cliches.
They also return to include an instrumental song with the curious title "Leave that thing alone", the album closes with the bright and optimistic "Everyday glory".
It has the special participation of Michael Kamen and like every Rush album, it is a work of art.
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