AUTOR

Monday, November 18, 2013

Atlas-Blå Vardag (1979)

Another interesting Swedish band was Atlas, who, with only one album released, achieved cult status within the European progressive rock scene. Founded in Malmö in 1974, their lineup consisted of keyboardists Björn Ekborn and Erik Björn Nielsen, Micke Pinotti on drums, Uffe Hedlund on bass, and Janne Persson on guitar. Their style was primarily focused on a meticulously crafted symphonic rock with elements of fusion and expansive instrumental passages, featuring numerous interplay between guitars and keyboards. To some extent, they drew on the progressive influences of the British band Genesis, the Canterbury sound of Camel, and the understated style of their compatriot Bo Hanson. Their only album, "Blå Vardag", released in 1979 by the Swedish label Bellatrix, was highly praised by critics and well-received by the progressive rock community. The entire album is remarkable, but it is undoubtedly the expansive "På Gata" that best encapsulates the band's excellence with an exquisite exercise in bizarre progressive rock, featuring layers of mellotrons, synthesizers, organ, and piano, with dense yet subtle sounds interwoven with energetic guitars. The remaining tracks maintain a very similar style, with echoes of jazz-rock at various points and some bucolic, pastoral sounds, always bathed in torrential curtains of keyboards and guitars.