Nina Simone-Sings The Blues (1967)

Nina Simone is another of the great divas of American jazz and blues. She was a fabulous singer, a great songwriter, and an excellent pianist, as well as one of the most active advocates for American civil rights for five decades. Born in 1933 in North Carolina, she was already playing piano and singing in her local church by the young age of 10. A pivotal moment in her life was the day her parents, who had come to see her play piano in church, were forced to move to the back of the pew to make room for other white people. Around the age of twenty, Nina Simone moved to Philadelphia, where she began to earn a living giving piano lessons and singing backup vocals. Shortly after, she launched her career performing at the legendary Midtown Bar on Pacific Avenue in Atlantic City. Thanks to her impressive and soulful voice, Nina quickly rose to prominence, and her first recording, "I Loves You Porgy" by George Gershwin, achieved considerable success on the American charts. From this point on, Nina's career would be meteoric, with songs like "My Baby Just Cares For Me", "To Be Young, Gifted and Black", and "Mississippi Godman" (songs with a clear political message), as well as numerous covers of other artists such as "I Put A Spell On You" by Screamin' Jay Hawkins ,"Here Comes The Sun" by The Beatles, and "House Of The Rising Sun" by Dave Van Ronk. Following further success stemming from her participation in several Broadway musicals, her song "For All We Know" would become another of her classics. With a style that blended gospel, blues, and jazz influences, Nina Simone earned the respect and admiration of the American people, earning the title of "High Priestess of the Soul", and becoming a true legend and icon of 20th-century music.

Wishbone Ash-There´s The Rub (1974)

In 1974, the British band Wishbone Ash recorded their fifth studio album, "There's The Rub", a title taken from a literary quote by Shakesphere and referencing the Hipgnosis-designed cover of a cricket player about to throw a ball. This release marked the band's first lineup change, with guitarist Ted Turner leaving and being replaced by former Home guitarist Laurie Wisefield. Wisefield provided the necessary solidification after the previous, somewhat uninspired "Wishbone Four". Comprising six lengthy tracks, the album, featuring Andy Powell (guitars and vocals), Martin Turner (bass and vocals), Steve Upton (drums), and the aforementioned Laurie Wisefield, along with keyboardist Albhy Galuten, crafted a work brimming with the band's signature twin guitar interplay (undoubtedly their strongest feature), with a more conventional classic rock style and less conceptual depth compared to albums like "Argus". High-caliber tracks like the folk blues rock "Silver Shoes" demonstrate the potential of this album, while the epic mid-tempo "Persephone", the semi-folk ballad "Lady Jay", the consistent rock "Hometown" or the sparkling instrumental "F.U.B.B.", highlighted the quality of these veteran rockers and at the same time was the work that restored their great credibility after the predictable previous album.

Ryan Adams-Gold (2001)

"Gold" is Ryan Adams' second album, a work more patriotic and more American than his debut, where the influences of Tom Petty and Bruce Springsteen are even more evident.
If a year before Ryan Adams had set the bar very high with his superb "Heartbreaker", with this "Gold" he would hit again with a very bright and energetic album, very close to the true canons of American classic rock.
An elegant album that shows us brilliant compositions such as "New York, New York", which unintentionally became a tribute to the city, when the promotional video for the song was recorded in front of the twin towers four days before the fateful 11 ​​of September.
An album with deep sound where acoustic guitars stand out and some careful lyrics as in "La Cienaga Just Smiled" or in "When The Stars Go Blue", or in the rockers "Firecraker", "Gonna Make You Love Me" or "Tina Toledos Street Walkin´Blues" or the beautiful blues "The Rescue Blues" that gained a lot of relevance when it was included in the movie "Proof of Life".

The Moody Blues-Every Good Boy Deserves Favour (1971)

For many this is the masterpiece of The Moody Blues, although weighed down in part by the immense success of their previous "Days of future Passed" and their huge single "Nights In White Satin".
However, this is one of his most versatile, varied and superbly performed works, where the single and rocker "The Story In Your Eyes" would catapult him to the top spot on the UK charts and a staggering second spot on the US Billboard.
Here stands out the mellotron of Mike Pinder, which includes the Moog synthesizers, Hayward's guitar does the rest to make a work of art in which there are sublime and mystical moments such as "My Song" or "Emily's Song", with that bucolic sound very characteristic of this huge and essential progressive rock band.

Jonesy-No Alternative (1972)

Another of the lesser-known British symphonic rock bands was Jonesy, an admirable group that, under the spell of Mellotron sounds, evoked the influences of early King Crimson. Its members were trumpeter Alan Bown, guitarist John Evan-Jones, keyboardist Jamie Kaleth, drummer Plug Thomas, and bassist Gypsy Jones. Any of their three released albums are gems of early 1970s proto-progressive rock. Their debut album, "No Alternative" (1972), featured standout tracks such as the progressive heavy rock anthem "Mind of the Century", the emotive epic "Heaven", and complex compositions like "1958", all underpinned by biting lyrics on recurring themes such as political corruption and the environment. The group's strong personality and captivating style, imbued with ethereal interplay between guitars and Mellotron, are evident in their next two releases: the elaborate "Keeping Up" (1973), featuring sublime moments like the avant-garde "Critique (With Exceptions)" and the poignant "Children"; and "Growing" (1973), the band's final album, which veers towards progressive jazz rock, as exemplified by tracks like "Can You Get That Together", "Hard Road", and "Know Who Your Friends Are". Despite their visionary approach and immense talent, they didn't achieve the desired success, and some time later, they brought their fascinating musical adventure to a close.