Red Dirt-Red Dirt (1970)

Red Dirt was a British band formed in the late 1960s in Yorkshire, northeast England. They built a strong reputation for their spectacular concerts in clubs and pubs across the north of the country during 1969 and 1970. The band consisted of guitarist Kenny Giles, drummer Steve Jackson, bassist Kenny Giles, and the powerful vocals of Dave Richardson. Thanks to their success and the popularity of these concerts, they attracted the attention of various record labels, eventually signing a contract with the independent label Morgan Bluetown. With Morgan, they recorded their only album, which was distributed nationally by Fontana Records, albeit in a rather limited way and with minimal advertising. This single album was recorded at Morgan's London studios, where they spent twelve uninterrupted hours completing the recording and mixing. Composed of a series of songs focused on blues rock with hints of The Doors and The Magic Band, as can be heard in "Death Letter", "In The Morning", and "Problems", while the more rural sounds of Mississippi Delta blues are present in "Song For Pauline". On the other hand, "Ten Seconds To Go" and "Death Of A Dream" showcase a heavy blues rock side, and this dark album ends with the Hendrix-esque "Maybe I'm Right" and the boogie-rock track "I've Been Down So Long". Some time later, after finishing a tour across Great Britain supporting Mott The Hoople, the band returned to the recording studio for a second album that was never officially released and was later included as bonus tracks in a 2010 reissue of their only album on CD and vinyl. This single release is another of those LPs coveted by collectors, some of whom have paid small fortunes for an original copy of this obscure and lost Red Dirt record.

UFO-Phenomenon (1974)

After two experimental albums brimming with psychedelic sounds infused with blues and hard rock, UFO had to reconsider their musical direction given the limited commercial success of both records. It was just after the release of their second album, "UFO 2: Flying", and while touring Germany, that vocalist Phil Moog, drummer Andy Parker, and bassist Pete Way were struck by the talent of a young guitarist named Michael Schenker. At the time, Schenker was playing with the up-and-coming band Scorpions, who had already released their debut album, "Lonesome Crow", which had established them as one of the most promising acts in the new wave of European hard rock. In a bizarre turn of events, Michael Schenker ended up joining the British group, replacing guitarist Bernie Marsden, who was temporarily filling in for Mick Bolton, who had left the band shortly before the aforementioned tour. With this new lineup, UFO recorded their third album during the final months of 1973 and the beginning of 1974 at Morgan Studios in London, produced by Ten Years After bassist Leo Lyons. It was released in March of that year by Chrysalis Records. On this third release, the band moved away from the heavy blues and space rock of their previous two albums, focusing their sound on Schenker's guitar prowess and brilliant hard rock songs. The album contains some of the tracks that would later become UFO anthems, such as the infectious "Doctor Doctor" and the powerful "Rock Bottom". In addition to these two formidable pieces, it also featured the energetic and psychedelic "Space Child", the hard-hitting rocker "Oh My", the complex "Built For Comfort", and the rhythmic "Too Young To Know". With “Phenomenon”, UFO ushered in a new era with a more carefree and intense style, as well as being more effective and dynamic, which would bring them many years of success with albums that would go on to enrich some of the golden pages of hard rock and heavy metal.

Someones Band-Someones Band (1970)

Someones Band is another of those strange bands that emerged in the late sixties with little impact beyond the release of a single album and little else. This one, however, is even stranger due to its unique and unusual history. Formed from an advertisement in Melody Marker, they recorded their only album in a single night session with an unknown independent producer and released it under the Decca Records label in a limited edition. This ephemeral group consisted of vocalist and percussionist Cecil James, drummer Woody Martin, guitarists John Coxen and Melvin Buckley, and bassist Terry Powney. Their sole album is a magnificent collection of progressive blues tracks, with hints of country and psychedelic sounds. Tracks like the opening “Country Ride”, a psychedelic blast complete with a drum solo, the progressive blues “How It Began”, the hypnotic “Blues For Brother E”, the psychedelic blues “Fourth I Wanna Go Where I Belong”, the country-tinged “Manhunt”, and the jazzy “Give It To You”, demonstrate that, despite not showcasing anything extraordinary or exceptional a common theme in many albums and groups of that era it is the sum of their entire repertoire that makes them unique and enduring. This magnificent collection of progressive blues rock from these Londoners has become another of those rare and coveted LPs for music lovers and fans of obscure bands from the 60s and 70s.