Universe-Universe (1971)

The story of this band is quite intriguing. Relegated to the sidelines in their native England, they dedicated themselves to playing concerts throughout Northern Europe. During a tour of Norway, they met a strange character who offered to record an album for them in his home studio. This album was released in a very limited edition of just a few hundred copies, and today it is highly sought after by discerning vinyl collectors and fans of blues and rock music. Hailing from Cardiff, this band had formed in late 1968 as a blues group called Spoonful. Several years later, they changed their name to the definitive Universe, and it was in 1971, while touring Norway, that they recorded and released their only album, which was self-titled. Universe consisted of guitarist, vocalist, and harmonica player Steve Finn, guitarist Mike Lloyd, bassist John Healan, drummer Rob Reynolds, and organist Mike Blanche. Universe was made up of guitarist, vocalist, and harmonica player Steve Finn, guitarist Mike Lloyd, bassist John Healan, drummer Rob Reynolds, and organist Mike Blanche. They played progressive heavy rock, as evidenced by their only album, which features standout tracks like the psychedelic blues "Twilight Winter", the heavy blues "Universe", the progressive blues "Spanish Feeling" with its Andalusian flavor imparted by the interplay of Spanish guitar and Creole rhythm and the lilting blues "The Annexe". Back in the UK with the album in hand, they toured with leading bands such as Fleetwood Mac, Rory Gallagher, Jethro Tull, Yes, and Black Sabbath, among many others. The original edition of this record became one of the strangest progressive blues albums in history, firstly due to its limited run and secondly because of the unusual label on which it was released (Experience Records), which was never heard from again. In fact, this was the only album they ever released, and the label offered virtually no information about the musicians or other details of interest on its brief and minimalist cover. Later, in 1972, this band would finally dissolve without leaving any trace of the subsequent fate of all its members.

Nutz-Hard Nutz (1977)

Founded in 1970, Nutz were a hard rock band who enjoyed their moment of glory when they were chosen to support UFO, Black Sabbath, and Budgie in the mid-70s, and gave a memorable performance at Reading in 1976. Hailing from Liverpool, the band was formed by guitarist Mick Davenport, who, along with drummer Jon Maylett and bassist Keith Mulholland, cultivated a large following by playing regularly at the legendary Cavern Club. Around the same time, thanks to a television advertisement, they discovered singer Dave Lloyd, who then became the lead vocalist. For a while, the band was based at the Cavern Club itself, recording during the day and performing at night. Their performances led to a deal with A&M Records, with whom they released their first album, which failed to meet expectations. Their next album, "Nuz Too". released in 1975, achieved better results thanks in part to improved production and the outstanding tracks "Changes Coming" and "The Love That You Lost", the latter featuring former Free member John "Rabbit". From this point, the band embarked on a long tour of the United States, despite neither of their albums having been released in the North American market. Back in England, they were chosen to support Black Sabbath on their British tour in support of the album "Technical Ecstasy". This tour earned them a spot at the Reading Festival that same year. By then, the band had expanded with the addition of keyboardist Kenny Newton, with whom they recorded their third album, and ultimately their best work, "Hard Nutz". This third release showcased a much more mature band, with compositions brimming with high quality and powerful hard rock. Besides the powerful guitar riffs, addictive vocals, and driving rhythm section, it's the keyboards that give an irresistible cohesion to this memorable album. Frenetic tracks like "Seeing Is Believing" and "Wallbanger" contrast with the melodic hard rock of "Down On My Knee", "Beast Of The Field". "Loser", and "I Know The Feeling", while on "From Here To Anywhere" the band ventures into more complex and progressive sounds. A subsequent tour with Budgie, the recording of "Bootligers" for the legendary NWOBHM compilation "Metal For Mutts" and the release of several live albums were the last recorded contributions of this magnificent and now-forgotten British band.

Morningstar-Morningstar (1978)

Morningstar was a short-lived American band that, with their only two albums, achieved cult status in the United States in the late 1970s. Hailing from Kansas, they amassed a considerable following over a few years, a fact that did not go unnoticed by CBS Records, who, capitalizing on the group's fame, offered them a multi-album recording contract. Morningstar consisted of drummer Greg Harris, bassist Greg Lech, and guitarists Jerry Chambers, Michael Edmunds, and Rick Bacus, the latter also handling keyboards, and virtually all of them were vocalists. In 1978, they released their self-titled debut album, showcasing a style akin to the pom-rock bands of the era such as Styx, Angel, and Shooting Star, but with a much more rock-oriented approach, featuring prominent guitars, melodic vocals, and bombastic keyboards. Tracks like the AOR anthems "Premeditated Rendezvous" and "Too Much To Lose" contrast with the more complex "Through The Night" and "Sady Lady", while the harder rock side is represented by songs like "Turn Out All The Lights" and "Sweet Georgia Peach". A year later came "Venus", an album showcasing a much more sophisticated and polished sound, and better production. However, the music recorded on this second release was not without commercial appeal, as demonstrated by the outstanding tracks "Angel", "Never Meant To Be", "Rosie", and "Let Me Dream". Despite both albums enjoying a good commercial reception, with quite respectable sales, CBS, more focused on other, more successful bands on its label such as Journey and REO Speedwagon, among others, stopped supporting them. This ultimately led to their disbandment in the early 1980s, leaving behind two great examples of the best American pop rock of the 1970s.